“I’ve always been fascinated by the notion of absolutes, the reduced, essential, pure forms. I like that reductive closed-system thinking, that search for some essential truth; some indivisible kernel.”
“I want my paintings to have a sense they happened in one go, where the order of layers is indistinguishable. As much as they depict an image, they reveal an image, as if the image has been uncovered, like the paint has just illuminated and made visible the form that has always lain dormant beneath.”
“I like the word motif, as it shares its root with the word motive. It is both an image or design, and a reason for painting. Iteration of the motifs function a bit like a mantra, between meaning and meaninglessness.”
“The hands want to see, the eyes want to caress”